Turandot Opera Synopsis Example

Turandot Opera Synopsis: Introduction

Throughout history, humankind has always found creative and intellectual ways of expressing their feelings and existence in a concrete, abstract, or solid form. That is, art, poems, paintings, and Opera are among such elements that are supposed to reflect upon humanistic intellectuality and spirit. However, this paper focuses on Opera, among others. In this assignment, Turandot at the Forbidden City (1998) by Puccini have been thoroughly and personally examined. The paper presents insights into the biography of the composer, the period of the composer, the detailed description of the Opera, its statements, two songs, and a personal conclusion.

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Giacomo Puccini was born on 29 November 1924 in Brussels, Belgium, but he is actually an Italian. He is widely considered among the best composers of the end of the 19th and beginning 20th centuries. Giacomo had seven siblings, and he was the oldest one. He lost his father when he was five. Then, he was sent to Fortunato Magi for educational reasons. Although he was tended to be an irresponsible and disobedient student, the main reason for his musical education was that his family had had a long history of musical background thanks to astounding musical ancestors. La bohème (1896), Madame Butterfly (1904), Tosca (1900), and Turandot (1924) are among the most renowned works of Puccini. “Puccini’s early work was rooted in traditional late-19th- century romantic Italian Opera. Later, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents” (Operaramblings).

Turandot (1924) “is an opera in three acts by Giacomo Puccini, posthumously completed by Franco Alfano in 1926, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni” (“Giacomo Puccini”). However, among many others, “Nessun dorma” is the best-known aria of Turandot. Also, another version of the opera story is set in China with Prince Calaf, who falls in love with cold Princess Turandot. Act 1 takes place in front of the imperial palace. Act 2 and Act 3 take place in a pavilion in the imperial palace before sunrise, the courtyard of the palace during the sunrise, and the palace gardens during the night, and the courtyard of the palace during the dawn, respectively. Although some critics tended to be hostile, Turandot was widely considered a masterpiece. Also, the Opera includes elements of English horn, bass clarinet, oboes, flutes, Alto saxophones, contrabassoon, bassoons, trumpets, glockenspiel, xylophone, tubular bells, and tenor trombones.

In Act 1, “Popolo di Pech ino! (4:18) by one Mandarin (Vittorio Vitelli) presents a drastic opening to the Opera at the Forbidden City Beijing in 1998 (“Puccini’s Turandot”). The song is about presenting the contradictions, haze, and tension right before the storyline starts: the toning is presented in a way that illustrates the ups and downs and the utmost shifts in the storyline. In Act 3, “Chi pose tan ta forza nel Luo cuore?” (1:32:26) by Turandot (Giovanna Casolla) reflects the ending of the storyline in both the pessimist and optimist manner (“Puccini’s Turandot”). That is, the instant shifts between the instruments and toning create a sense of an overview through the whole storyline. At the kind, this part seems to summarize the highlights and emotions especially.

This was the second overview of the Turandot. The previous copy I had was in VHS format when DVD was yet to innovate, and it did not have subtitles. However, with this one, I know what the story is about, and the formation gives me a better understanding of the emotions and themes. However, I always imagined that Barbara Frittoli could play the “Turandot,” the main character, while Cassola played the “Liu.” When compared with Casolla, Frittoli has the sweetest tune. Indeed, some Classical music reviews revealed that Liu’s part was the most technical and difficult to understand for the general and knowledgeable audience. I have really liked the course of cultural dance and the setting. In Act 1, the angel of death was great. Especially, director Zhang Yi-Mou portraited the traditional Chinese version of the Angel of Death well (Operaramblings para. 7), and the little monk holding a lotus lamb at the end adds a bit of curiosity to the show.

Turandot Opera Synopsis: Conclusion

Consequently, “Turandot at the Forbidden City” (1998) by Puccini has been thoroughly and personally examined. The paper has presented insights into the biography of the composer, the period of the composer, the detailed description of the Opera, its statements, two songs, and a personal conclusion. The composer is widely considered among the best composers of the end of 19th and beginning 20th centuries. In Act 1, “Popolo di Pech ino! (4:18) by one Mandarin (Vittorio Vitelli) presents a drastic opening to the Opera at the Forbidden City Beijing in 1998. In Act 3, “Chi pose tan ta forza nel Luo cuore?” (1:32:26) by Turandot (Giovanna Casolla) reflects the ending of the storyline in both pessimist and an optimist manner. After all, Turandot (1924) is a great composition, which is widely respected by many.

References

“Giacomo Puccini Kimdir?” Biyografi.info : Biyografi, Biyografiler, Kimdir?, www.biyografi.info/kisi/giacomo-puccini.

Operaramblings, et al. “Turandot in the Forbidden City.” Operaramblings, 25 June 2012, operaramblings.blog/2012/06/25/turandot-in-the-forbidden-city/.

“Puccini’s TURANDOT at the Forbidden City Beijing 1998 Multi Lang. In Cc [Etcohod].”